Research Article
Year 2021,
Volume: 5 Issue: 12, 40 - 52, 06.05.2021
Abstract
Bu makalenin amacı Amerikan Kızılderililerini detaylı olarak ilk defa araştırıp kaydeden George Catlin’i tanıtmaktır. George Caitlin 1796 yılında Amerika Birleşik devletlerinde doğmuş ve 1872 yılında ölmüş bir avukat, ressam, yazar ve özellikle eski Batı’da Amerikan yerlilerinin portreleri üzerine uzmanlaşmış bir gezgindir. Kendi kendini yetiştiren bir sanatçı olan George Catlin, Amerikan Kızılderili konularını ve ortamlarını kaydetmek için batıya giden ilk ressamlardan birisidir. Kendi türünün en büyüğü olan yerli halkları ve sahneleri tasvir eden resim koleksiyonu, çok sayıda Amerikalı ve Avrupalıya Amerikan sınırlarına ve komşularına yönelik yeni bir bakış açısı kazandırmıştır. Catlin, sanat kariyerine Philadelphia'da minyatür ve portre ressamı olarak başlamış, ancak Plains Kızılderililerinden oluşan bir grupla karşılaşması bütün hayatını değiştirmiştir.
References
- Referans1 Blaine, Martha Royce. (1995). The Ioway Indians. Norman: University of Oklahoma Press.
- Referans2 Conn, Steven. (2004). History’s Shadow: Native Americans and Historical Consciousness in the Nineteenth Century. Chicago: University of Chicago Press.
- Referans3 Cooper, James Fenimore. (2003). The Last of the Mohicans. 1826. Introduction and notes by Stephen Railton. New York: Barnes & Noble.
- Referans4 Dippie, Brian W. (1985). The Vanishing American: White Attitudes and U.S. Indian Policy. Middletown, CT: Wesleyan University Press.
- Referans5 Dippie, Brian W. (1990). “Catlin and His Contemporaries” The Politics of Patronage. Lincoln: University of Nebraska Press.
- Referans6 Dippie, Brian W. (2002). “Green Fields and Red Men” In: George Catlin and His Indian Gallery. Eds. George Gurney and Therese Thau Heyman. Washington, DC: Smithsonian American Art Museum.
- Referans7 Dunlap, William. (1918). History of the Rise and Progress of the Arts of Design in the United States, 3 vols. NewYork: George P. Scott.
- Referans8 Eisler, Benita. (2013). The Red Man’s Bones: George Catlin, Artist and Showman. New York: W. W. Norton.
- Referans9 Lubbers, Karl. (1994). “Strategies of Appropriating the West: The Evidence of Indian Peace Medals.” American Art, 8, no. 3-4, 79-95.
- Referans10 Mulvey, Christopher, (2002). “George Catlin in Europe.” In: George Catlin and His Indian Gallery. Eds. George Gurney and Therese Thau Heyman. Washington, DC: Smithsonian American Art Museum, 62-91.
- Referans11 Reddin, Paul. (1999). Wild West Shows. Urbana: University of Illinois Press.
- Referans12 Truettner, William H. (1979). The Natural Man Observed: A Study of Catlin’s Indian Gallery. Washington, DC: Smithsonian Institution Press.
- Referans13 Truettner, William H. (1970). American Paintings and Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington.
Year 2021,
Volume: 5 Issue: 12, 40 - 52, 06.05.2021
Abstract
References
- Referans1 Blaine, Martha Royce. (1995). The Ioway Indians. Norman: University of Oklahoma Press.
- Referans2 Conn, Steven. (2004). History’s Shadow: Native Americans and Historical Consciousness in the Nineteenth Century. Chicago: University of Chicago Press.
- Referans3 Cooper, James Fenimore. (2003). The Last of the Mohicans. 1826. Introduction and notes by Stephen Railton. New York: Barnes & Noble.
- Referans4 Dippie, Brian W. (1985). The Vanishing American: White Attitudes and U.S. Indian Policy. Middletown, CT: Wesleyan University Press.
- Referans5 Dippie, Brian W. (1990). “Catlin and His Contemporaries” The Politics of Patronage. Lincoln: University of Nebraska Press.
- Referans6 Dippie, Brian W. (2002). “Green Fields and Red Men” In: George Catlin and His Indian Gallery. Eds. George Gurney and Therese Thau Heyman. Washington, DC: Smithsonian American Art Museum.
- Referans7 Dunlap, William. (1918). History of the Rise and Progress of the Arts of Design in the United States, 3 vols. NewYork: George P. Scott.
- Referans8 Eisler, Benita. (2013). The Red Man’s Bones: George Catlin, Artist and Showman. New York: W. W. Norton.
- Referans9 Lubbers, Karl. (1994). “Strategies of Appropriating the West: The Evidence of Indian Peace Medals.” American Art, 8, no. 3-4, 79-95.
- Referans10 Mulvey, Christopher, (2002). “George Catlin in Europe.” In: George Catlin and His Indian Gallery. Eds. George Gurney and Therese Thau Heyman. Washington, DC: Smithsonian American Art Museum, 62-91.
- Referans11 Reddin, Paul. (1999). Wild West Shows. Urbana: University of Illinois Press.
- Referans12 Truettner, William H. (1979). The Natural Man Observed: A Study of Catlin’s Indian Gallery. Washington, DC: Smithsonian Institution Press.
- Referans13 Truettner, William H. (1970). American Paintings and Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington.
There are 13 citations in total.
Details
| Primary Language | Turkish |
|---|---|
| Journal Section | Article |
| Authors | |
| Publication Date | May 6, 2021 |
| Published in Issue | Year 2021 Volume: 5 Issue: 12 |
