Abstract
Makale Fransız ressam Jean Baptiste Camille Corot’nun “Dardagny’de Bir Köy Sokağı” isimli çalışması üzerinedir. Resim her ne kadar İsviçre’de bir köy sokağını gösterse de bu köy sokağı aslında görünüm olarak tipik bir Türk köyü sokağı gibidir. İlginç bir durum olarak dikkat çeken bu konuda makale bu benzerliğin sebebini ikonolojik olarak araştırmaktadır. Corot oryantal bir ressam hiç olmamış, seyahatlerinde Roma’nın ötesine hiç geçmemiş ve Türkiye’de hiç bulunmamış ama bir Türk köyü sokağını âdeta İsviçre köy sokağı olarak resmetmiştir. Corot, gezilerinde ve stüdyodaki çalışmalarında “gerçek resim” arayışında, hayatı boyunca sonsuz bir araştırmacı olmuş, gezilerini ve doğayı işinin merkezine almıştır. Ayrıca 19. yüzyılın en büyük manzara resmi ustalarından biri olarak sürekli merak uyandırmıştır. Sanat hayatı “Dardagny’de Bir Köy Sokağı” isimli tablosu üzerinden sunulmaya çalışarak bazı farklı eserlerinden örnekler de paylaşılmıştır.
References
- Adams, S. (1994). The Barbizon School & The origins of Impressionism. Phaidon.
- Boime, A. (1986). The Academy and French painting in the nineteenth century. Yale University Press.
- Bomford, D. (1990). Art in the making: Impressionism. Exhibition catalogue. National Gallery.
- Bozkurt, S. G. (2013). 19. yüzyılda Osmanlı konut mimarisinde iç mekân kurgusunun Safranbolu evleri örneğinde irdelenmesi. Journal of the Faculty of Forestry, 62(2), 37-70.
- Champa, K. S. (1991). The rise of Landscape painting in France: Corot to Monet. Exhibition catalogue. Currier Gallery of Art.
- Demiraslan, D. (2007). Batılılaşma sürecinde Türk barınma kültüründeki değişim ve konuttaki yansımaları. 38. Uluslararası Asya ve Kuzey Afrika Çalışmaları Kongresi, 209-220.
- Gauguin, P., Haas, K., Reed, S. W., Wissman, F., Pissarro, C., Havinga, A., Cezanne, P., Corot, C., Daubigny, C. F., Huet, P., Millet J. F., Renoir, P. A., Degas, E., Monet, C., Redon, O., van Gogh, V., Shackelford, G. T. M., Wissman, F. E., Haas, K. E. (2002). Impressions of light: The French Landscape from Corot to Monet. Hardcover.
- Herbert, R. L. (1988). Impressionism: Art, Leisure, and Parisian Society. Yale University Press.
- House, J. (1986). Monet: Nature into art. Yale University Press.
- Ives, C. (1988). French prints in the Era of Impressionism and Symbolism. Metropolitan Museum of Art Bulletin, 46(1).
- Kuban, D. (1995). Türk Hayat’lı evi. Ziraat Bankası Yayınları.
- Moffett, C. (1986). The new painting: Impressionism 1874-1886. Fine Arts Museums of San Francisco.
- Nochlin, L. (Ed.) (1966). Impressionism and Post-Impressionism, 1874-1904: Sources and documents. Prentice-Hall.
- Pomarède, V. (Ed.) (2002). L’école de Barbizon: Peindre en plein air avant l’impressionisme. Exhibition catalogue. Réunion des Musées Nationaux.
- Rewald, J. (1961). The history of Impressionism. Rev. and enl. ed. Museum of Modern Art.
- Shackelford, G. T. M. & Wissman, F. E. (2002). Impressions of light: The French Landscape from Corot to Monet. Exhibition catalogue. MFA Publications.
- Wisdom, J. M. (1978). French nineteenth century oil sketches: David to Degas. William Hayes Ackland Memorial Art Center.
Abstract
This article is about French painter Jean Baptiste Camille Corot’s work titled “A Village Street in Dardagny”. Although his painting shows a village street in Switzerland, the village street actually looks like a typical Turkish village street in appearance. The article, as an interesting situation investigates the reason for this similarity iconologically. Corot was not an Oriental painter. He painted almost a Turkish village street as a Swiss village street. In his travels, he did not go to beyond and had never been to Turkey. Moreover, in his studio paintings and travels he looked for real painting, became limitless painter. Besides, he focused on nature in his paintings. He was wondered as one of the great painters at the 19th century painters. Some examples of different works presented through the painting named “A Village Street in Dardagny” were also shared in the article.
References
- Adams, S. (1994). The Barbizon School & The origins of Impressionism. Phaidon.
- Boime, A. (1986). The Academy and French painting in the nineteenth century. Yale University Press.
- Bomford, D. (1990). Art in the making: Impressionism. Exhibition catalogue. National Gallery.
- Bozkurt, S. G. (2013). 19. yüzyılda Osmanlı konut mimarisinde iç mekân kurgusunun Safranbolu evleri örneğinde irdelenmesi. Journal of the Faculty of Forestry, 62(2), 37-70.
- Champa, K. S. (1991). The rise of Landscape painting in France: Corot to Monet. Exhibition catalogue. Currier Gallery of Art.
- Demiraslan, D. (2007). Batılılaşma sürecinde Türk barınma kültüründeki değişim ve konuttaki yansımaları. 38. Uluslararası Asya ve Kuzey Afrika Çalışmaları Kongresi, 209-220.
- Gauguin, P., Haas, K., Reed, S. W., Wissman, F., Pissarro, C., Havinga, A., Cezanne, P., Corot, C., Daubigny, C. F., Huet, P., Millet J. F., Renoir, P. A., Degas, E., Monet, C., Redon, O., van Gogh, V., Shackelford, G. T. M., Wissman, F. E., Haas, K. E. (2002). Impressions of light: The French Landscape from Corot to Monet. Hardcover.
- Herbert, R. L. (1988). Impressionism: Art, Leisure, and Parisian Society. Yale University Press.
- House, J. (1986). Monet: Nature into art. Yale University Press.
- Ives, C. (1988). French prints in the Era of Impressionism and Symbolism. Metropolitan Museum of Art Bulletin, 46(1).
- Kuban, D. (1995). Türk Hayat’lı evi. Ziraat Bankası Yayınları.
- Moffett, C. (1986). The new painting: Impressionism 1874-1886. Fine Arts Museums of San Francisco.
- Nochlin, L. (Ed.) (1966). Impressionism and Post-Impressionism, 1874-1904: Sources and documents. Prentice-Hall.
- Pomarède, V. (Ed.) (2002). L’école de Barbizon: Peindre en plein air avant l’impressionisme. Exhibition catalogue. Réunion des Musées Nationaux.
- Rewald, J. (1961). The history of Impressionism. Rev. and enl. ed. Museum of Modern Art.
- Shackelford, G. T. M. & Wissman, F. E. (2002). Impressions of light: The French Landscape from Corot to Monet. Exhibition catalogue. MFA Publications.
- Wisdom, J. M. (1978). French nineteenth century oil sketches: David to Degas. William Hayes Ackland Memorial Art Center.
Details
| Primary Language | Turkish |
|---|---|
| Subjects | Interdisciplinary Art, Painting, Visual Cultures, Art History, Art Theory |
| Journal Section | Articles |
| Authors | |
| Publication Date | January 31, 2024 |
| Published in Issue | Year 2024 Volume: 25 Issue: 46 |
This work is licensed under a Creative Commons Attribution 4.0 International License.