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Yussef El Guindi’nin Ten Acrobats in an Amazing Leap of Faith Oyununun Kimlik Analizi

Year 2022, Issue: 27, 113 - 123, 28.01.2022
https://doi.org/10.17484/yedi.994814

Abstract

Evin anlamı her kişi için farklıdır. Tarih boyunca, Amerika pek çok farklı kültüre ev sahipliği etmiş ve bunlardan birisi de Arap Amerikalılardır. Bu insanlar sadece dinsel farklılıklardan değil, geleneksel yabancılaşmadan dolayı da pek çok zorluklar yaşamışlardır. Bu araştırma Mısırlı Amerikalı oyun yazarı Yussef El Guindi’nin oyunu olan Ten Acrobats in An Amazing Leap of Faith (2018) inceleyecektir. Bu oyun, Amerikan yaşam tarzına alışmaya çalışan ve kimlik problemleri yaşayan Arap Amerikan kökenli bir ailenin bilinmeyen bir kültürdeki korku ve telaşını anlatmaktadır. Arada kalmışlık terimi her bir karakterde incelenecek ve Stuart Hall’ın teorisinde bahsettiği gibi çalışma “kendini oluşturmadan önce başkasının gözünü” okuyucuya sunacaktır. (1996, s. 89) Kimlik çerçevesinden bakıldığında, her bir karakter kimlik, cinsiyet ve din gibi farklı yönlerden incelenecektir. Bu karakterlerin çektiği zorluklar kimliksel olarak farklı yorumları aydınlatacak ve açık bir şekilde bu bakış açısının farklı Arap Amerikalılardaki yansımaları görülecektir. Kültürel çatışma kavramı, Arap Amerikalı kimlikler ile hegemonyan Amerikan düşünce sisteminde hapsolmuş karakterlere ışık tutmaya çalışacaktır. Oyundaki bütün karakterleri inceleyen çalışma, El Guindi’nin arada kalmış Arap Amerikalıları din, cinsiyet ve ırk gibi farklı konulara değinerek nasıl ele aldığını gösterecektir. Kimlik, din, cinsiyet ve ırk gibi temaları çalışırken, bu çerçeve Homi Bhabha, Stuart Hall, Gilles Deleuze ve Félix Guattari gibi teorisyenlere göre değerlendirilecektir.

References

  • Bhabha, H. K. (1994). The location of culture. Routledge.
  • El Guindi, Y. (2018). Ten acrobats in an amazing leap of faith. Robert A. Freedman Dramatic Agency.
  • Hall, S. and Gay, P. D. (Eds.). (1996). Questions of cultural identity. Sage.
  • Hill, H. and Amin D. (2009). Salaam. Peace an anthology of Middle Eastern-American drama. Theatre Communication Group.
  • Ikas, K. and Wagner, G. (Eds.). (2009). Communicating in the third space. Routledge.
  • Kalua, F. (2009). Homi Bhabha's third space and African identity. Journal of African Cultural Studies Publication, 21(1), p. 23-32.
  • Kristeva, J. (1982). Powers of horror a essay on abjection (L. S. Roudiez, Trans.). Columbia UP.
  • Mikhail, M. (2014). Egyptian Americans. In T. Riggs (Ed.), Gale encyclopedia of multicultural America (3rd Ed.) (pp. 61-71). Gale.
  • Roy, B. K. (2017). Cultural identity and third space: An exploration of their connection in a title I school. [Doctoral Dissertation, Arizona State University]. ProQuest Dissertations and Theses database (Order No. 10607271). https://www.proquest.com/openview/044ab6cd6f38d32b60e091aaad9da06b/1?pq-origsite=gscholar&cbl=18750
  • Rumbaut, R. G. (2015). Assimilation of immigrants. In James D. Wright (Ed.), International encyclopedia of the social & behavioral sciences (2nd Ed.) (pp. 81-87). https://ssrn.com/abstract=2595896
  • Schiller, N. G., Basch, L. and Blanc-Szanton, C. (1992). Transnationalism: A new analytic framework for understanding migration. Annals of the New York Academy of sciences, 645 (1), pp. 1-24. doi:10.1111/j.1749-6632.1992.tb33484.x
  • Sierra, G. (2010, May 18). ACT & Icicle creek announces new play festival: An uncorked conversation 8/23, 8/24. Broadway world Seattle. https://www.broadwayworld.com/seattle/article/ACT-Icicle-Creek-Announces-New-Play-Festival-An-Uncorked-Conversation-823-824-20100518
  • Smith, D. (2006, February 11). For Arab-American playwrights, a sense of purpose. The New York Times. https://www.nytimes.com/2006/02/11/theater/newsandfeatures/for-arabamerican-playwrights-a-sense-of-purpose.html
  • Stack, L. (2015, July 29). In Yussef El Guindi’s plays, personal and political are in bed together. The New York Times. https://www.nytimes.com/2015/08/02/theater/in-yussef-el-guindis-threesome-personal-and-political-are-in-bed-together.html
  • Qualey, M. L. (2012, April 15). Yussef El Guindi: Staging the Egyptian-American experience. Egypt Independent. https://egyptindependent.com/yussef-el-guindi-staging-egyptianamerican-experience/

The Identity Analysis of Yussef El Guindi’s Ten Acrobats in an Amazing Leap of Faith

Year 2022, Issue: 27, 113 - 123, 28.01.2022
https://doi.org/10.17484/yedi.994814

Abstract

The meaning of home differs from one person to another. America hosts many hybrid cultures and one of them is the Arab American identity. These people suffer from many hardships not only because of their religious differences, but also their traditional alienation to American culture. This paper will analyze the Egyptian-American playwright Yussef El Guindi’s play Ten Acrobats in An Amazing Leap of Faith (2018), presenting the fear and anxiety for the unknown culture in an Arab American family who struggle with identity problems and the American lifestyle. The concept of in-betweenness will be analyzed in each character and as Stuart Hall mentioned in his theory, this study will carry out “the eye of the needle of the other before it can construct itself” (1996, p. 89). As for identity framework, each character will be examined in terms of identity, gender and religious perspectives. The hardships of each character throws light on various commentaries in relating to the identity analyses and this study will explicitly show how the concept of identity will be shown with different Arab Americans. The cultural conflict is understood with Arab American identities that captivated the hegemonic Americanized thought system in America. While analyzing all characters in the play, this study will present how El Guindi reflects upon the lives of in-between Arab Americans with various issues such as religion, gender and race. While studying themes such as identity, religion, gender and race, the framework will be considered according to the theorists like Homi Bhabha, Stuart Hall, Gilles Deleuze and Félix Guattari. 

References

  • Bhabha, H. K. (1994). The location of culture. Routledge.
  • El Guindi, Y. (2018). Ten acrobats in an amazing leap of faith. Robert A. Freedman Dramatic Agency.
  • Hall, S. and Gay, P. D. (Eds.). (1996). Questions of cultural identity. Sage.
  • Hill, H. and Amin D. (2009). Salaam. Peace an anthology of Middle Eastern-American drama. Theatre Communication Group.
  • Ikas, K. and Wagner, G. (Eds.). (2009). Communicating in the third space. Routledge.
  • Kalua, F. (2009). Homi Bhabha's third space and African identity. Journal of African Cultural Studies Publication, 21(1), p. 23-32.
  • Kristeva, J. (1982). Powers of horror a essay on abjection (L. S. Roudiez, Trans.). Columbia UP.
  • Mikhail, M. (2014). Egyptian Americans. In T. Riggs (Ed.), Gale encyclopedia of multicultural America (3rd Ed.) (pp. 61-71). Gale.
  • Roy, B. K. (2017). Cultural identity and third space: An exploration of their connection in a title I school. [Doctoral Dissertation, Arizona State University]. ProQuest Dissertations and Theses database (Order No. 10607271). https://www.proquest.com/openview/044ab6cd6f38d32b60e091aaad9da06b/1?pq-origsite=gscholar&cbl=18750
  • Rumbaut, R. G. (2015). Assimilation of immigrants. In James D. Wright (Ed.), International encyclopedia of the social & behavioral sciences (2nd Ed.) (pp. 81-87). https://ssrn.com/abstract=2595896
  • Schiller, N. G., Basch, L. and Blanc-Szanton, C. (1992). Transnationalism: A new analytic framework for understanding migration. Annals of the New York Academy of sciences, 645 (1), pp. 1-24. doi:10.1111/j.1749-6632.1992.tb33484.x
  • Sierra, G. (2010, May 18). ACT & Icicle creek announces new play festival: An uncorked conversation 8/23, 8/24. Broadway world Seattle. https://www.broadwayworld.com/seattle/article/ACT-Icicle-Creek-Announces-New-Play-Festival-An-Uncorked-Conversation-823-824-20100518
  • Smith, D. (2006, February 11). For Arab-American playwrights, a sense of purpose. The New York Times. https://www.nytimes.com/2006/02/11/theater/newsandfeatures/for-arabamerican-playwrights-a-sense-of-purpose.html
  • Stack, L. (2015, July 29). In Yussef El Guindi’s plays, personal and political are in bed together. The New York Times. https://www.nytimes.com/2015/08/02/theater/in-yussef-el-guindis-threesome-personal-and-political-are-in-bed-together.html
  • Qualey, M. L. (2012, April 15). Yussef El Guindi: Staging the Egyptian-American experience. Egypt Independent. https://egyptindependent.com/yussef-el-guindi-staging-egyptianamerican-experience/
There are 15 citations in total.

Details

Primary Language English
Journal Section Araştırma Makaleler
Authors

Gamze Ar 0000-0002-8918-2124

Early Pub Date September 7, 2021
Publication Date January 28, 2022
Submission Date September 14, 2021
Acceptance Date December 10, 2021
Published in Issue Year 2022 Issue: 27

Cite

APA Ar, G. (2022). The Identity Analysis of Yussef El Guindi’s Ten Acrobats in an Amazing Leap of Faith. Yedi(27), 113-123. https://doi.org/10.17484/yedi.994814

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